Artist Lynn Chatman offers a collection of paintings applying symbolism that explores the cycle of existence. See far more of her portfolio by viewing her web-site.
My desire in artwork dates back again to childhood when I submitted a pencil drawing in response to a magazine advert. You may perhaps remember these ads—“Draw this photograph and come across out if you have talent!”
I married younger. Everyday living, kids and other duties afflicted the time I experienced to make. We moved a ton with my husband’s profession, so artwork education and learning was sporadic. I did control to get private lessons and workshops and artwork courses in university.
Now I generate artwork almost each individual day. Artwork is anything I have to do. When I am in my studio, I feel about and create artwork and almost nothing else. About time, my media passions moved from oil to pastels to acrylic. My artistic design and style ranged from impressionist landscapes to portraits and, finally, abstract and combined media.
My daughter’s death in 2009 dramatically affected the training course of my portray. Rather of portray landscapes and persons, I started to discover the symbolism in the cycle of lifetime and demise by means of color, texture and symbols.
Most of my Fractured sequence was painted throughout this period of time to characterize my fractured and broken heart and lifestyle. My very own individual symbols bundled the raven and dragonflies to symbolize the darkness and light of psychological ailment which influenced my daughter’s lifetime and the life of all who liked her.
I paint a lot of ravens and dragonflies, and constantly look for them in my travels. Painting and vacation grew to become my escape from the actuality of her demise.
Whilst you hardly ever get more than the decline of a child, you do learn to dwell with grief. These days my painting usually takes a lighter approach, while no significantly less significant to me. My Ink Runs sequence forces me to grapple with the unforeseen and reminds me that lifetime takes a lot of twists and turns.
This method brings me terrific pleasure and peace with its spontaneity and vivid colours. I by no means know what will surface when the ink runs. Then I seem for and discover an graphic and use destructive painting to deliver it to everyday living.
I also experiment with a variation of my Ink Operate and Fractured series. These paintings are influenced by pictographs and petroglyphs located on rocks and cave partitions during the American Southwest and other sections of the environment. These historical photos fascinate me and some of my paintings mirror an abstract and colorful model of rocks with symbols.
Development doesn’t end—in existence or artwork. My artwork continues to evolve as I experiment and experience everyday living. Whilst you will not see a reasonable illustration of my lifetime, travels, or ideas, you could possibly find them in my abstracts and mixed media.
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